Numina: The Deception of Reality
Hypnos
Judging on the basis of The Deception of Reality, Numina's deep ambient is about as deep as ambient gets. American ambient composer Jesse Sola takes the listener on a seventy-five-minute journey through the outer reaches of space on his fourth Numina release on Hypnos and his first since 2007's Shift to the Ghost. Though five tracks are indexed and titled, the material plays like an uninterrupted travelogue of epic proportion and immersive character. As a purely listening experience (and played loud enough for maximum impact), the material exudes a grandiose quality and registers as the sonic equivalent of a towering classical architectural structure.
The Deception of Reality carves out an immense reverberant space within which radiant synthetic elements resound and where impenetrably dense textures form backdrops to shimmering electronics and serpentine melodic patterns. Percussive strikes intermittently emerge, though they have less impact in this context when the non-percussive elements are already pitched at such a high level. Long swaths of synthetic sounds stretch across the vast spaces and ethereal choral voices occasionally surface, too. The intensity level remains feverishly high throughout the opening parts, “The Illusion Transmission” and “Our Elegant Experience,” which makes “In Cerulean Haze” all the more appealing for providing a ten-minute interlude of relative placidity and quietude. The nearly twenty-minute “Empire of Nothing” perpetuates that serene state in its swirls of washes and softly whistling tones, after which the luminous “Translunary Return” provides an equally soothing resolution to the project as a whole. That the album is heavily synth-based is borne out by sleeve info that lists the synthesizers (eight by my count) that Sola used to generate the tracks' sounds. Production details aside, The Deception of Reality clearly suggests that lovers of deep ambient will find Numina's material satisfying in the extreme.November 2012