Articles
Deadbeat
Starkey

Albums
Atmogat
Autechre
Autistici
Bitcrush
Black Gold 360
Sylvain Chauveau
Cut Iowa Network
Delicate Noise
Dof
The Element Choir
FNS
Four Tet
Gutta Percha
Greg Haines
Chihei Hatakeyama
Ian Hawgood
Jóhann Jóhannsson
Kahn and Mueller
Konntinent
L/M/R/W
Francisco López
Aaron Martin
Musette
Near The Parenthesis
Offthesky
Dustin O'Halloran
Redhooker
Relmic Statute
Ruxpin
Sintetic-Collage
Sister Overdrive
Starkey
Tokyo Mask
Youth Pictures of F. Hend.

Compilations / Mixes
Agoria
Advent
My Private Space
Peeling
Untitled 10

EPs
Amman.Josh
A Wake A Week
Tolga Baklacioglu
Boxharp
Cursor Miner
Abe Duque
EPROM / Eskmo
Funckarma
Florent Ghys
LJ Kruzer
Lobisomem
Maps and Diagrams
Moving Dawn Orchestra
Marcello Napoletano
Alexandre Navarro
Obsidian
Glen Porter
Nigel Samways
The Soul's Release
Sparkhouse / Jacksonville
Subeena
Talvihorros

Tolga Baklacioglu: Blues EP
Living Records

Having once played in a blues band (Harlot Money) during college and having also named his Living Records outing Blues EP, Turkey-based producer Tolga Baklacioglu clearly feels a strong connection to the genre. But while blues vocal fragments account for part of the sample pool from which he draws for the EP's two originals, the material itself is clearly clubby house music as opposed to blues in the formal sense.

Baklacioglu serves the funk straight up in the tripped-out, hip-swinging opener “I Blues.” Looped vocal samples coil themselves dizzyingly around the breezily charging pulse until the track settles into lockstep position, straying little from its snappy, clockwork mode. The addition of bongos to already swinging rhythms ups the groove ante in Baklacioglu's other original, “You Blues,” while the sparsely distributed vocal samples are less fragmented and consequently bring the track closer to an actual vocal cut than one where voices are used for sonic detail. “You Blues” also gets remixed by Living Records head dub KULT in a clubby version that one might describe as stripped-down, bass-throbbing, and insistent. This one pounds the most of the EP's three tracks, with dub KULT not afraid to open the original up and let some air in by reducing it to a pumping groove and looped vocal swirls.

April 2010