textura

Peterborough
Ontario, Canada
editor[at]textura[dot]org

Acis
ASIP
AUM Fidelity
Avie Records
Belarca
Biophilia Records
BIS Records
Blue Griffin
Bright Shiny Things
Calligram Records
Cedille Records
Cold Blue
Cryo Chamber
Delos
Divine Art
Edition Records
El Paraiso Records
Faith Strange
Firehouse 12 Records
Flaming Pines
flau
Fluid Audio
Full Spectrum Records
Gizeh Records
Greenleaf Music
Greyfade Records
Gruenrekorder
Heart Dance Records
Hidden Shoal
Home Assembly Music
Hubro
Important Records
In A Circle Records
Infraction
Innova
Irritable Hedgehog
Jaeger Community
Kitchen.
Lost Tribe Sound
Low Point
mü-nest
Navona Records
New Amsterdam Records
New Focus Recordings
Øra Fonogram
Origin Records
Palace of Lights
Pentatone
Polar Seas Recordings
Preserved Sound
Rattle
ROOM40
Rune Grammofon
Schole
Scissor Tail
Shifting Paradigm
Slowcraft Records
Solaire Records
SOMM Recordings
Songlines
Sono Luminus
Spotted Peccary
Sunnyside Records
Temp. Residence
Time Released Sound
Tompkins Square
Touch
TRPTK
TUM Records
Volkoren
Wayfarer Records
Western Vinyl
Whirlwind Recordings
White Paddy Mountain
WhyPlayJazz
Woolgathering Records

photo: Karolin Stimmer

REVIEWS
AeTopus: iota (Spotted Peccary Music)
Marc Barreca: A Discourse of Mist (Palace of Lights)
Iris Bergcrantz: Vi fanns förut (Ladybird)
Scott Brickman: Baltic Sketches: Collected Symphonies 2006-2020 (Navona Records)
Jarod Bufe: Brighter Days (Calligram Records)
Zack Clarke & Chris Irvine: Stereotaxi (Panoramic Recordings)
Duduka Da Fonseca Trio: Rio Fantasia (Sunnyside Records)
Danish National Vocal Ensemble: O Listen! To the Music of Uroš Krek & Else Marie Pade (OUR Recordings)
Zoltan Darago, Christophe Rousset, Les Talens Lyriques: Bach: Arias for Alto (Aparté)
Martin Davids & David Yearsley: In the Cabinet of Wonders (False Azure Records)
Isabel Dobarro: Kaleidoscope (Grand Piano)
Marcus Eley: That's a Different Groove (Navona Records)
Ensemble C: Every Journey (Adhyaropa Records)
Lukas Foss: The Jumping Frog of Calavares County (BMOP/sound)
Lukas Foss: Night Music for John Lennon (BMOP/sound)
Reiko Füting: distantViolinSound (New Focus Recordings)
Ricardo Gallén: Preludes and Dances from Brazil (Eudora Records)
Boyce Justice Griffith: The Point (Outside in Music)
Rebecca Hennessy's Makeshift Island: Live at the Jazzroom (Rebecca Hennessy)
HERE: A Quiet Unease (Slowcraft Records)
Frank Huang: Solo Piano Works of Nikolai Medtner, Volume 2 (Centaur Records)
Mette Juul: Thank You & Other Stories (Nilento Records)
Klavierduo Stenzl: Grand-Mondain (GENUIN classics)
K. Leimer: Proximate Forms (Palace of Lights)
Lei Liang: Dui (Islandia Music Records)
Clemens Müller: In Search of Ondine (GENUIN classics)
Mystery Sonata: Aequora (Sono Luminus)
New Thread Quartet: Saxifraga (New Focus Recordings)
Ketty Nez: Through the Light (Albany Records)
Shawn E Okpebholo: Songs in Flight (Cedille Records)
Isabelle Olivier: Impressions (Rewound Echoes)
The Ostara Project: Roots (Rhea Records)
David Owens: Sky Legends: Music of David Owens (Albany Records)
Philippe Quint: Milestones (Pentatone)
John Rommereim: Into the Still Hollow (Navona Records)
Mattias Spee: Eclipse, Vol. 3: Sergei Protopopov (TRPTK)
Ian Stephens: Chamber Music (Divine Art)
Anna Thorvaldsdottir: Ubique (Sono Luminus)
Three Point Circle: Fluorescent Grey (Palace of Lights)
Chris Varga: Breathe (Calligram Records)
VentiCordi Chamber Music: Pas de Trois (Navona Records)
Orion Weiss: Arc III: Brahms, Schubert, Debussy, Dohnányi, Ligeti, Talma (First Hand Records)
Luke Welch: Samuel Coleridge-Taylor: Piano Works (Luke Welch)
Winnipeg Jazz Orchestra: East Meets West: Connections (Chronograph Records)
Ronn Yedidia: 24 Preludes of Dusk & Dawn (Albany Records)

1. Please contact textura at editor[at]textura[dot]org regarding submissions, whether it be for reviews, mp3 downloads, and/or videos. (Currently there is an approximate gap of two months between the date a submission is accepted for review and the publication date.) If you are submitting material for review consideration, please appreciate that the number of review spaces is limited and that it is physically impossible to give coverage to all of the submissions made to textura.

2. If a physical copy of the submitted material is requested, textura will provide a mailing address; those interested in receiving reviews coverage are asked to contact textura via e-mail first and not send physical material until approval has been granted. textura does not review streams and recognizes no obligation to review submissions made without prior approval. Please note that only physical copies of releases are eligible for review.

3. Due to the large volume of submissions textura receives, it is impossible to respond to each message of enquiry, so no offence should be taken in the absence of a reply. Also, please submit your release once only for review consideration; repeat submissions for the same release will be ignored. If your submission is accepted for review, it will appear in the ‘upcoming' list above and a link to the review will be forwarded when published.

textura's premiere issue appeared in August 2004 and its 135th in June 2016; during that time, eleven advertising-free editions were published each year featuring experimental, electronic, jazz, and classical music-related reviews, interviews, and articles; in August 2016, textura retired the monthly format in favour of regular updating that sees new content—reviews, articles, mp3s, and videos—added throughout the month. In 2008, the textura label was founded, and five full-length recordings of original material have been released to date (details here).

textura is structured as follows: four articles and forty reviews are displayed on the reviews | articles page; when new articles and reviews are added, the earliest ones move to the site's archives, accessible from the label | archives page. Sixteen downloadable mp3s and ten videos appear on the mp3s | videos page; again, the newest mp3 and video additions displace the earliest ones (unlike articles and reviews content, mp3s and videos are not archived). The four header images on the pages following the opening display are designed to draw attention to recently reviewed recordings of exceptional quality.