Terrence Dixon
Ten Favourite Labels 2012

1982 + BJ Cole
Oren Ambarchi
Alexander Berne
Born Gold
Carlyle & Cox
Kate Carr and Gail Priest
Paul Corley
Roland Etzin
Yuichiro Fujimoto
Godspeed You! Bl. Emp.
Ivar Grydeland
Sophie Hutchings
Kane Ikin
Jeanne Jolly
Paul Mac
Michael Mayer
David Michael
David Newlyn
No Regular Play
Oskar Offermann
Olan Mill
Roomful of Teeth
Bruno Sanfilippo
Valgeir Sigurdsson
The Sleep Of Reason
Jessica Sligter
Slow Dancing Society
Prins Thomas
The Use Of Ashes
Maarten van der Vleuten
Stian Westerhus
Wires Under Tension
Woolfy vs. Projections

William Basinski

Elektro Guzzi
Porya Hatami
Maps & Diagrams
Stephan Mathieu
Michael Trommer

Elektro Guzzi: Allegro EP

Elektro Guzzi follows up its 2011 full-length Parquet (on Macro) with a half-hour EP of four new jams, all of them in the group's trademark “live techno” style. Laid down at Vienna's Feedback Studios, the stellar set finds guitarist Bernhard Hammer, bassist Jakob Schneidewind, and drummer Bernhard Breuer once again ably assisted by co-producer Patrick Pulsinger.

The trio locks into the locomotive opener “Fat Pony” from the first pulsating moment to the last. Its gyroscopic swirl of relentless bass thunder, angular guitar stabs, and pounding drums leads into the tribal-funk stomp of “High Noon,” whose dub-inflected sky the group fills with atmospheric guitar washes for nine transporting minutes. The B-side's also-funky “Asteroid” takes the Elektro Guzzi into new territory when a wobbly, dubstep-styled bass line crosses paths with syncopated chords that hammer with kinetic insistence. At disc's end, “Jangu” takes us out with six hyperactive minutes of body-shaking tribal-techno at its motorik best.

Though the group's equally visceral and muscular tunes go down splendidly regardless of how they're produced, one's response to the music can't help but be positively enhanced by one's awareness of its live production—there's something about the idea of three musicians telepathically belting out such taut grooves that gives the band's music even greater appeal than it might otherwise have.

November 2012