Articles
2010 Top 10s and 20s
Will Long (Celer)

Albums
Bilxaboy
Jefre Cantu-Ledesma
Celer & Yui Onodera
Cepia
Dead Leaf Echo
Ferraris & Uggeri
Ernesto Ferreyra
Flying Horseman
The Foreign Exchange
Les Fragments de la Nuit
Ghost and Tape
Andrew Hargreaves
Head Of Wantastiquet
i8u
Anders Ilar
Quintana Jacobsma
Kaiserdisco
Leafcutter John
Clem Leek
The Lickets
The Machine
Magda
My Fun
Ostendorf, Zoubek, Lauzier
Part Timer
Phillips + Hara
RV Paintings
Set In Sand
Shackleton
Shigeto
Matt Shoemaker
Sun City Girls
Supersilent
Swartz
Ben Swire
Collin Thomas
Tomo
Upward Arrows

Compilations / Mixes
Exp. Dance Breaks 36
Fünf
Lee Jones
The Moon Comes Closer
Note of Seconds
Tensnake

EPs
8Bitch
Celer
Jasper TX
Jozif
Lerosa
Machinefabriek
Patscan
Pleq
Simon Scott
SHEMALE
Thorsten Soltau / Weiss
Jace Syntax & BlackJack
Weiss

Jasper TX: Mute Harbour
Rural Colours

Sister label to Hibernate Records, Rural Colours specializes in three-inch recordings dedicated to experimental folk, ambient, and drone genres—all of which makes Dag Rosenqvist's Jasper TX a veritable poster child for the series. Mute Harbour is quintessential Jasper TX music: guitar-based to some degree but augmented by multiple other sounds (field recordings, organ, treatments, etc.), with all of it adding up to long-form settings of brooding and atmospheric design.

Split into two parts, the first initially establishes itself as a celestial serenade that Rosenqvist repeatedly sprinkles with a pretty three-note motif. But dark clouds appear on the horizon and make their threatening presence felt as they approach but then just as quickly pass by, enabling the mood to once again turn serene. The second piece has Rosenqvist's fingerprints all over it, from the slowly unfurling drone with which it begins and the crash of waves that contribute to its intensification to the peaceful calm that gradually sets in during the stages of decompression. Overall, Mute Harbour emphasizes the softer ambient side of the Jasper TX sound and though it doesn't radically advance upon Rosenqvist's previous output under the name, it nevertheless offers a concise and accessible entry point for listeners new to the project.

December 2010