Article
Ten Questions Eric Quach

Albums
Actress
Ellen Allien
The Alps
Aniline
Anodyne
Tommy Babin's Benzene
Maya Beiser
Pier Bucci
Budd & Wright
Celer
Ceremony
Richard Chartier
Deceptikon
Deepchord & Echospace
Marcel Dettmann
Dirac
Efdemin
GéNIA
Guillaume & C. Dumonts
Hammock
Helvacioglu & Boysen
Richard A Ingram
Inhabitants
Marsen Jules
Akira Kosemura
Manual
Dom Mino'
Teruyuki Nobuchika
Nono/ Wakabayashi
Olan Mill
Originalljudet
Fabio Orsi
M.Ostermeier
Rene Hell
Jeffrey Roden
J. Rogers
Roll The Dice
Secret Cities
Soundpool

Compilations / Mixes
Main Control Board
SEED X: Part I - III

EPs
Alternative Networks Vol. 2
Aural Diptych Series # 1
Aural Diptych Series # 2
Celer
Deerhoof vs OneOne
Filterwolf
Incite/
Ketem
Kogumaza
Yann Novak
Poratz
Quiroga
Repeat Orchestra
Sepalcure
Sub Loam
v4w.enko
The Zeitgeist EP

DVD
Stephen Vitiello

Ceremony: Rocket Fire
Killer Pimp

Though Rocket Fire's opening song, “Stars Fall,” rides in with a gloriously humming roar of guitars, drums, and vocals, don't be fooled by the buzz-saw intensity and punk-level volume: Ceremony's music is pop at its core, as evidenced by the melodic hooks that flow through each one of the album's ten thunderous tracks. On grounds of vocal style there's little similarity between the groups but in general approach—pop songs stripped free of excess and smothered in rampaging noise—Ceremony has more than a little in common with The Ramones (some semblance of ‘60s pop form is audible within the blistering storm that engulfs the roller-rink groove that steamrolls through “Silhouette,” for example). Ceremony's sound is more shoegaze than punk, however, even if traces of the latter can be heard in the duo's super-charged attack. The group, incidentally, rose from the ashes of Skywave, with bassist Oliver Akerman forming A Place to Bury Strangers and Paul Baker and John Fedowitz banding together to form Ceremony. Powered by basic drum machine beats and thunderous guitar riffs, the songs of Baker and Fedowitz produce a joyful noise that's exhilarating and more conventionally ‘musical' (as in accessible) than one might expect. Just be sure to strap yourself in before torrential tunes like “Don't Leave Me Behind” and “It's Too Late” unleash their ear-splitting howl.

June 2010