Articles
2013 Top 10s & 20s
The Knells' The Knells
Spotlight 11
Albums
John Luther Adams
Arovane
Astro Sonic
Avatism
Cakewalk
Mark Cetilia
Ulises Conti
Stephen Cornford
Exercise One
Stavros Gasparatos
Huntsville
itsnotyouitsme
Rael Jones
Jubei
The Knells
Letna
Lord Echo
Selaxon Lutberg
Martin & Berg
Josh Mason
Mem1
Ron Morelli
Nuage
Oiseaux-Tempête
One Far West
Orange Yellow Red
Piano Interrupted
Oleg Poliakov
Recondite
Saffronkeira + Massa
Scarlet Youth
Shifted
Silencio
Burkhard Stangl
Talvihorros
Peter Van Hoesen
Vatican Shadow
Compilations / Mixes
EPM Selected Vol. 2
My Love For You Is Analog.
OFF To ADE 2013
Scope
Tempo Dreams Vol. 2
Transit 2
EPs / Cassettes / Singles
Dalot
Elika
Fighting Lion
Kyle Fosburgh
Fre4knc / Nuage
Rezo Glonti
Halvtrak
Ishan Sound
Jacksonville
Lullatone
Pennygiles & Phil Tangent
Dominic Petrie
Response
Sontag Shogun
Strategy
Thrash Pilot
Elika: Girls, Be Serious (1 of 3)
Saint Marie Records
Here's an inspired concept: Brooklyn outfit Elika—multimedia artists Evagelia Maravelias and Brian Wenckebach joined by Khaya Lou (from Mahogany) and Andrew Kwasny—plans on issuing three seven-inch records one at a time over the course of the coming year. Full stop: if the other two are as good as the first one, the trilogy will be a fine set indeed. The group, recently handpicked as support for shoegazers Asobi Seksu and electronic soundsculptor Ulrich Schnauss, traffics in a kind of emotive dreampop of its own with a marked emphasis on lush vocals, programmed rhythms, and enveloping sound washes built from guitars and synthesizers.
The entrancing opener “Moving Faster” serves notice that Elika's sound is well worth giving one's attention to. Earmarked by plaintive guitar textures and a driving drum pulse, the song alternates between melancholic verses and soaring choruses, with the coup de grace a memorable coda where the lead singer's vocal delivery (and counterpoint) resembles a less mannered Madonna—a good thing! The slightly slower “Bury” is as entrancing, especially when the female singer's fragile lead comes wrapped in a multi-layered choir of wordless vocalizing and is ultimately joined by buzz-saw guitar textures to deepen the song's yearning tone. Numbers two and three can't arrive too soon.December 2013