textura

Albums
1982
Amute
Answer Code Request
Asuna
Marvin Ayres
Barreca | Leimer
Building Instrument
Taylor Deupree
Dose
David Douglas
Kyle Bobby Dunn
Dusted Lux
Ensemble Economique
The Eye Of Time
Benjamin Finger
M. Geddes Gengras
gnarwhallaby
Hatakeyama & Hakobune
Carl Hultgren
Imaginary Softwoods
Isnaj Dui
Kidkanevil
David Lang
Linear Bells
Mokhov
Moskus
Phasen
JC Sanford
Günter Schlienz
Seelig & Metcalf
Seelig & Nerell
Slpwlkr
Sons Of Magdalene
Håkon Stene
Robert Scott Thompson
Throwing Snow
V/Vm
Julia Wolfe
Xumla
Girma Yifrashewa
Jeppe Zeeberg

Compilations / Mixes
5 Years of No. 19 Music
Margeir

EPs / Singles
Blind EP2
Children Of The Stones
Dylan C
Eveson
Northcape
Katsunori Sawa

Eveson: Grey Dawn / A Dystopian Romance / Deluge
Ingredients

A digital-only three-tracker from Channel 82 Records owner Alex Eveson, a Glastonbury homeboy and current London resident who broke into the drum'n'bass scene doing design work for Metalheadz, Exit Records, Intrigue, and Quarantine, among others. After establishing himself as a DJ, Eveson began to make a name for himself as a producer, with a major boost coming in mid-2006 when some early productions were featured in Fabio's BBC Radio 1 show. Releases on labels such as 31 Records, Creative Source, Good Looking, Critical, and Integral have witnessed Eveson blending a soulful vibe with the characteristic drive and energy of jungle and drum'n'bass.

A sophisticated co-production with Halogenix, “Grey Dawn” is a sleek, mid-tempo reverie that oozes twilight atmosphere in abundance. In its initial moments, the tune's laid-back, suggestive of dark, deserted streets, before growing muscular, its smoldering bass pulse and hard-hitting drum groove a punchy backdrop to a soulful, late-night vocal. By comparison, “A Dystopian Romance” kicks up its heels in time-honoured drum'n'bass fashion, with a lightspeed pulse lunging forward with hushed vocal musings and luscious synth swirls along for the ride. At EP's end, “Deluge” spotlights Eveson's versatility by dimming the lights even more than “Grey Dawn” for a heavily atmospheric downtempo exercise in melancholy moodscaping. Issued concurrently with Lenzman's excellent Looking at the Stars, Eveson's seventeen-minute set shares with that album a soulful vibe that significantly enhances the EP's appeal.

July 2014