Articles
2011 10 Favourite Labels
Spotlight 3

Albums
Félicia Atkinson
Autistici
Bee Mask
Biomass
Gui Boratto
Peter Broderick
Benjamin Broening
bvdub
Chicago Odense Ens.
Dday One
Lawrence English
The Field
Nils Frahm
Douglas Greed
Jim Haynes
Hess + McFall
High aura'd
Hior Chronik
itsnotyouitsme
King Midas Sound
Leyland Kirby
Knox & Oberland
Koss/Henriksson/Mullaert
Tom Lawrence
Mist
Phonte
Planetary Assault Systems
Rustie
Sense
Sepalcure
Slove
Splashgirl
Two People In A Room
Vaetxh
Christina Vantzou
Marius Vareid
Wolfgang Voigt
Water Borders
Wenngren & Bissonnette
Xhin
Eisuke Yanagisawa
yMusic

Compilations / Mixes
Above The City
Air Texture Vol. 1
Burning Palms
Emerging Organisms 4
Live And Remastered

EPs
Antonymes/ S. D. Society
Cardopusher
Cyrus
Gulls
Keepsakes
Late Night Chronicles
Old Apparatus
Option Command
Pillowdiver
Benoît Honoré Pioulard
Kevin Reynolds
Strategy

Hior Chronik: Unspoken Words
mü-nest

Athens, Greece-born Hior Chronik gets more than a little help from his friends on his sophomore album Unspoken Words, which follows quickly on the heels of his 2010 debut release I'm a Tree (Enregistrements Variables). Dictaphone clarinetist Roger Doering, I'm Not A Gun guitarist Takeshi Nishimoto, pianist Akira Kosemura, vibraphonist El Fog, and singer Natalie Beridze are just a few of the guests whose musical contributions illuminate the rich, deeply textural ambient set-pieces fashioned by Hior Chronik. Throughout this appealing collection, melodic, sometimes lullaby-like patches of piano, clarinet, vocals, and music box tinkles gently float o'ertop the dense masses Chronik shapes from processed clicks, hiss, and flutter.

Blowing winds and the crunch of footsteps through the undergrowth lend “She Wasn't Here” an outdoorsy dimension, even if the meditative piano and clarinet playing give the song an introspective, even hermetic quality that's more emblematic of indoor seclusion. Elsewhere, elegant piano playing by Zinovia Arvanitidi in the suitably titled “All Alone” perpetuates the meditative mood, an abundance of music box tinkles gives “Small Tree” a radiant sparkle, and Beridze's delicate voice murmurs languorously amidst the becalmed lull of “Still Foggy.” Though all of the guests leave their mark on the material, it's Doering who makes the strongest impression, in part because he appears on three of the album's dozen pieces but also because the timbral character of the clarinet stands out so vividly against the textural backdrop. Perhaps the album's loveliest piece is “Call,” which is distinguished less by the contributions of Nishimoto and Doering and more by the luscious piano, strings, and crystalline electronics that otherwise appear, though “Oper II,” which carves out a deeply seductive space of entrancing serenity in less than five minutes, is just as beautiful.

Though an autumnal character, not surprisingly, pervades the elegant, string-drenched pianistics of “Rainy Yellow Leaves on a Tree,” Hior Chronik's material is largely uplifting and serenading, and the album's sunlit spirit is also captured in song titles such as “Sparkles” and “You Are a Bright Star.” More soothing than unsettling, his is a warm and nostalgic music that perfectly complements the mü-nest aesthetic.

November 2011