Articles
Spotlight 17
Anneli Drecker

Albums
Aegri Somnia
Susan Alcorn
Damián Anache
A Sides and Makoto
Heather Woods Broderick
Atrium Carceri
Robert Crouch
Anneli Drecker
David Evans
Finland
Anne Garner
Tania Giannouli
Peter Gregson
Grönnert and Mondfish
Emily Hall
Hidden Orchestra
Hior Chronik
Hilde Marie Holsen
Inner8
Joyfultalk
Deborah Martin
Scott Miller
Monkey Plot
Kate Moore
Mr. Jones
Nicolay
NOW Ensemble
Numina + Zero Ohms
Oiseaux-Tempête
Kristoffer Oustad
Pete Oxley & Nicolas Meier
Peptalk
Qluster
Bruno Sanfilippo
Maria Schneider
Dirk Serries
Stratosphere
Robert Scott Thompson
Skydive Trio
Time Being
toy.bizarre / EMERGE
T_st & Dronelock
Kamasi Washington
Andrew Weathers
XaDu
Yen Pox
Young & Martin
ZOFO

EPs / Cassettes / DVDs / Mini-Albums / Singles
Alex Agore
Bird People / Waterflower
Kaison
Lullatone
Donna McKevitt
M. Mucci
Nattavaara Rocks
Zenwan

Hilde Marie Holsen: Ask
Hubro

Ask is a provocative set of trumpet-based improvisations from Hilde Marie Holsen (b. 1989), who hails from Firda but resides in Oslo. Ask isn't, however, a collection of unadulterated horn solos; instead, Holsen explores the interaction between trumpet and live electronics on the thirty-six-minute release (available as a download and in a vinyl edition of 200 copies), with the electronic sounds the product of live trumpet processing. Co-produced, mixed, and mastered by Maja Ratkje, Ask, an oft-contemplative blend of short and long pieces, is Holsen's solo debut release.

The brief “korund” acts as an effective scene-setter when its industrial drone content includes nothing that could be remotely identified as a trumpet, while the later “muskovitt” finds the horn moaning like some dying animal. But it's “plagioklas” that is side A's centerpiece, both literally and figuratively, in the way it monitors Holsen's explorations over the course of eleven minutes. In this extended setting, the trumpet is transformed via electronics into spectral presences while also appearing in its natural form. Murmuring softly, the horn exudes a lonely quality, and in one striking sequence, the trumpet's lines are shadowed by high-pitched, synth-like whistles in a way that's unexpectedly moving. Ask rises to an even ghostlier level during the mournful “alkali” when Holsen's purring musings are heard against swells of supplicating, string-like expressions, while the closing title track collapses the distance altogether between the trumpet and electronic elements.

July-August 2015