Articles
2011 Artists' Picks
Spotlight 5

Albums
1982
Marvin Ayres
Big Quarters
Birds Of Passage
Brunborg / Huke
bvdub
Charlatan
City of Satellites
Cokiyu
CYNE
Dakota Suite / Sirjacq
Tomoyoshi Date
Dday One
Vladislav Delay
Ensemble Economique
Esperanza
Frost & Bjarnason
Integral
Lullatone
Mario & Vidis
Dean McPhee
Mint Julep
Muhr
James Murray
Muta
Nicholas: Nu Groove
pacificUV
Papir
Andrew Pekler
Pimmon
Simon Scott
Quentin Sirjacq
Stormloop
Swod
szilárd
Tapage
Carl Taylor
Willamette
Boo Williams

Reissue
Pink Floyd

Compilations / Mixes
Marcel Dettmann
Fabriksampler V4
Inertia: Resisting Routine
Tech My House 5
Visionquest

EPs
0311
A Sun-Amissa
Jacksonville
Arev Konn
Neon Cloud
Phasen
Photonz
Rivers Home

Cassettes
Berber Ox
Pimmon

Neon Cloud: Knit
Flau

On its seventeen-minute debut EP Knit, Neon Cloud presents a rather ethereal take on the bass music and dubstep genres that ends up memorable for offering a rather personalized riff on the forms. In a typical Neon Cloud track, trudging dubstep grooves are overlaid by breathy female vocals, resulting in three originals (inexplicably, all of them titled using geometric shapes) that help the Tokyo-based group to register more powerfully than it otherwise might. The opening cut (represented by a square) is a brooding, even menacing slice of bass music topped by a haunted vocal chant, whereas the dubbier second (a circle this time) is a little less heavy, with the emphasis equally focused on lighter-than-air vocal melancholia and acoustic shadings. The third original (now a triangle) soups up the Neon Cloud sound by adding string and synthesizer elements to its dense flow, after which a remix of the same by Luxembourg act Sun Glitters exploits the dreamier dimension of the group's sound by adding twinkling keyboards and lush synthetics to the song's swirling vocal exclamations and low-end lurch. In essence, the dream-pop aspects of the EP's material makes the group seem like a natural addition to the Flau roster, while the dubstep dimension suggests that the label's branching out, stylistically speaking, which certainly isn't a move to be discouraged.

January 2012