Articles
Rafael Anton Irisarri
Slow Six

Albums
Another Electronic Musician
Balmorhea
Celer
City of Satellites
Cylon
Deadbeat
Kyle Bobby Dunn
Eluvium
Ent
Ido Govrin
Danny Paul Grody
Chihei Hatakeyama
Wyndel Hunt
The Internal Tulips
Keepsakes
The Knife
Kshatriy
Lali Puna
Francisco López
Mask
Melodium
Monolake
Clara Moto
Myrmyr
Nos Phillipé
Ontayso
Outputmessage
Pleq
The Q4
Schuster
Shinkei + mise_en_scene
The Sight Below
Sphere Rex
subtractiveLAD
Bjørn Svin
Tamagawa
Ten and Tracer
Trills
Trouble Books
Yellow Swans

Compilations / Mixes
An Taobh Tuathail Vol. III
Does Your Cat Know My...
Emerging Organisms 3
Moment Sound Vol. 1

EPs
Brim Liski
Ceremony
Eric Chenaux
Abe Duque
Hieroglyphic Being
Rafael Anton Irisarri
Manaboo
Monolake
Mr Cooper & Dday One
Pleq & Seque
Nigel Samways
Santos and Woodward
Simon Scott
Soundpool
Stimming, Watt & Biel
Stray Ghost
Ten and Tracer
Stuchka Vkarmanye

Ontayso: Abstract Serie No. 01
U-cover

Ontayso: Abstract Serie No. 02
U-cover

To celebrate U-cover's ten years of existence, label head Koen Lybaert intends to issue ten Ontayso recordings under the Abstract Serie title. Though Lybaert may be primarily known for his musical output, the Belgian producer is an accomplished designer, photographer, and painter too. In 2008, a newly re-awakened passion for painting resulted in a series of abstract works that act as natural visual correlates to the recordings. Being largely form-free displays of cloudy textural colour fields, the paintings displayed on the sleeves for the first two recordings in the series are Rothko-like in nature—the red one slightly more evocative of the painter's works than the blue one.

The two discs' 100 minutes of material—dramatic, immersive dub-techno that pulsates insistently as repeating waves of vaporous washes stretch across it—is protoypical Ontayso and immediately identifiable as such. During Abstract Serie No 01, the towering upper masses swell so powerfully they feel like storm cloud formations passing overhead. Ice cold and metallic, the recording's rhythm material throbs with the precision-fueled relentlessness of a Monolake track, while its ‘melodic' material is as resolutely synthetic as its beat patterns. Ambient and propulsive elements merge as droning swathes speckled with crackle and blurry exhalations bring the first installment to a close. Emerging from a foggy cloud of black smoke and immersing the listener within an ominous realm of brooding washes and faint rumble, the second disc picks up where the first leaves off. Percussive patterns periodically float to the surface, move the material forward, and then disappear. The first half of the second disc is ambient dub in style, with only the faintest trace of chordal accents acting as a pulse for the thick synthetic mass, in contrast to the more animated second half which serves up a hefty mid-tempo twenty minutes of heavily atmospheric and at times menacing dub-techno. Classic stuff, all told, and surely manna from heaven if you're an Ontayso devotee.

March 2010