Articles
Ten Questions Eric Quach
Ten Questions :papercutz

Albums
17 Pygmies
Alex B
Alva Noto
Antonymes
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Bonobo
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Martin Buttrich
Ken Camden
Mlle Caro & Garcia
cecilia::eyes
Mathias Delplanque
DMT
d_rradio & Lianne Hall
Drape
Elektro Guzzi
Roman Flügel
Pierre Gerard / Shinkei
Ghost of 29 Megacycles
Tord Gustavsen
Ian Hawgood
Hrdvsion
Ikonika
Indignant Senility
Kingbastard
Loveliescrushing
Lunar Miasma
peterMann
MONO
Ontayso
:papercutz
Pausal
Pjusk
Jonas Reinhardt
Pascal Savy
Thorsten Scheerer
Scuba
Semuin
Sonmi451
Stray Ghost
Nicholas Szczepanik
Thisquietarmy
The Timewriter
Vex'd
Christian Wallumrød

Compilations / Mixes
Duskscape Not Seen

EPs
Orlando B.
Mlle Caro & Garcia
Kirk Degiorgio
Russ Gabriel
Kyle Hall
Junkie Sartre & Hexaquart
Lena
Mike Monday
Adam Pacione
Colin Andrew Sheffield
Shinkei / mise_en_scene
Rick Wade
When The Clouds

Colin Andrew Sheffield: For Tomorrow
Bee Eater Recordings

Colin Andrew Sheffield's For Tomorrow is designed to be a companion piece to “For Today,” which appears on the superb Elevator Bath compilation Cleansing Ascension. The new work, presented in a three-inch format and available in a 100-copy run, takes little time getting started. Like a machine engine being turned on, the twenty-minute piece instantly flickers into life and then maintains a regulated intensity for the duration. Sheffield builds up a dense and slightly blurry wall of sound that's not so blurry that wave-like surges of string tones and the like can't be glimpsed at its center. The effect is simultaneously turbulent and calming, with the relentless momentum of the mass offset by the slow unfurl heard within. Twelve minutes in, the cloud mass slowly slips from view, leaving rapidly flickering tones in its wake until they too gradually decompress. Dream-like swirls dominate thereafter until they ultimately bring For Tomorrow to an end that's clearly different in tone to the industrial charge that characterizes the piece's beginning.

May 2010