Articles
Spotlight 10
Ten Favourite Labels 2013

Albums
52 Commercial Road
Chantal Acda
David Åhlén
Daniel Bortz
Peter Broderick
Brass Mask
bvdub / bvdub & loscil
Colorlist
Dale Cooper Quartet
Cuushe
Jack Dangers
Deco
Deetron
DFRNT
Egbert
The Foreign Exchange
Nils Frahm
Bjarni Gunnarsson
Robert Haigh
Marihiko Hara & Polar M
John Heckle
Arve Henriksen
Joy Wellboy
Kaboom Karavan
KILN
Land of Kush
Jessy Lanza
Last Days
L.B. Dub Corp
Lights Dim with Gallery Six
Livity Sound
Moskitoo
MUfi.re
Oddisee
Om Unit
Ø [Phase]
Raudive
Matana Roberts
Sakamoto + Deupree
Secret Pyramid
Quentin Sirjacq
Sleeper
Sonicbrat
Special Request
Stratosphere & Serries
Thisquietarmy
Ricardo Tobar
Tom Trago

Compilations / Mixes
Foundland
In The Dark
Mathias Kaden

EPs / Cassettes / Singles
Anduin
Anile / Lm1 & Kharm
Cursa
Gerwin & Nuage ft. 2Shy
Hessien
Jon McMillion
Miaou

CD-Vinyl-DVD
Seaman and Tattered Sail

VA: Foundland
flau

The fourth release in flau's compilation series, Foundland is a collection of live recordings by new and established artists that was recorded at the Vacant venue located in Harajuku, Tokyo. Being a live recording, the material possesses a somewhat loose, intimate, and spontaneous feel compared to the typical in-studio recording; that it does so might be in part accounted for by the fact that the Foundland event is set in a warm and natural setting surrounded by trees.

The first thing one notices about the twelve-song, forty-eight-minute collection is the large number of pieces (some sung in English and some in Japanese) featuring female vocalists (mainly Japanese) and stripped-down arrangements, with often an acoustic guitar the single instrument included. Some songs benefit from the inclusion of an extra sound, such as glockenspiel (PoPoyans' “Otoshimono”), steel pans (Rachael Dadd's “Join In”), electric guitar (Kazuho Oogiya's “On The Line”), harmonica (AOKI, hayato's “breath ~ Home! Sweet Home!”), and woodwinds (How To Count Planets' “Boys & Girls”).

Admittedly there is a potential danger in having so many songs characterized by fragility, but Foundland avoids sameness when a number of them depart from the balladic tone set by Rima Kato's delicate “Open Mind” and Predawn's lovely “Sheep & Tear”: YOK energizes the project with her high-spirited “Make the Circle”; PoPoyans does much the same with radiant vocalizing and acoustic guitar picking during the child-like charmer “Otoshimono”; and Rachael Dadd contributes one of the set's most insistent and aggressive pieces in “Join In.”

November 2013