Articles
Jethro Tull's Ian Anderson
Spotlight 7

Albums
Amirali
Ballrogg
Cam Butler
Cakewalk
Crisopa
En
Fazio
Erdem Helvacioglu
Jethro Tull's Ian Anderson
Larvae
Lone
Lovelock
Justin Martin
Melodium
Minus Pilots
Michael Mizrahi
Monolake
Montgomery / Curgenven
Motion Sickness T. Travel
Neu Gestalt
Nothing But Noise
Olan Mill
Daphne Oram
Palestine & Schaefer
Principles Of Geometry
Pietro Riparbelli
Seaworthy
Session Victim
Sparkling Wide Pressure
Stratosphere
Trouble Books
Underhill
Clive Wright

Compilations / Mixes
Maya Jane Coles
In The Dark
Lost in the Humming Air

EPs
Alphabets Heaven
Stefan Goldmann
Graz
Köln 1
Posthuman
Quiroga
Rivers Home 2
Sleeps In Oysters
Towards Green

VA: Lost in the Humming Air (Music Inspired by Harold Budd)
Oktaf

Saying that Harold Budd has exerted an influence upon today's electronic musicians would, of course, be a huge understatement. Though the past years have witnessed a steady stream of Budd solo (2011's In The Mist on Darla, for example) and collaborative albums (with Cocteau Twins, among others), no mention of Budd's career would be complete without acknowledging classic early recordings such as Pavilion of Dreams and his collaboration with Brian Eno, The Plateaux of Mirror (Budd also has the distinction of being one of a small number whose work appeared on Eno's Obscure label in the ‘70s).

Wanting to pay respect to Budd in some way, Rafael Anton Irisarri and Marsen Jules decided upon a musical tribute in the form of a compilation that would feature contributions from the cream of the electronic-ambient crop, as it were. Probably the number one question that arises is: do the artists involved try to channel Budd in their pieces or present their material more in the style with which their work has come to be known? The answer is, frankly, both. Certainly there's a goodly amount of reverberant piano playing of the kind one hears on any given Budd recording, yet at the same time one hears within a particular artist's contribution clear signatures of that individual's style. For example, Deaf Center's “Plateaux,” while it does include piano playing, is as moody a gloomscape as anything heard on Erik Skodvin and Otto Totland's own Type albums. In “Rye Fields,” Loscil (Scott Morgan) backs a lovely series of delicate piano strokes with a becalmed, Loscil-styled backdrop, while the piano playing in Irisarri's “Gloaming” comes closest to matching Budd's own sound.

The seventy-one minute album offers a scenic and pleasurable journey that's stylistically pretty much what one might expect from an album featuring Marsen Jules, Biosphere, Andrew Thomas, and the like. Some of the material is lovely—no surprise there—and standouts include the luscious ambient moodscapes created by Thomas, Jules, Christopher Willits, and Taylor Deupree (“Hushhh (Variation 2),” “Sunrise On 3rd Avenue,” “Olancha Hello,” and “Sleepover,” respectively). In addition, Andreas Tilliander contributes a severely dubbed-out track (“Harold Dubb”) to the project, whereas bvdub brings a slightly different twist to it by including the piano-playing of his mother, Criss Van Wey, on his “My Father, My Friend” opus.

May 2012